“I think I’ve learned technique, but I don’t adhere to it. I always have a small portable studio with me and I do a lot of lyric writing on the road. “But I tend to put a lot more time into it when I’m hot and the creative juices are flowing. “I try to be discipline enough to write a little every day,” he comments. Though he feels he’s adept at songwriting techniques and the craftsmanship aspect of the trade, Gramm says he relies primarily on feel and inspiration. area and I’ve had covers …but I never got the same satisfaction on a finished project that I do with Lou.” “so we kind of learned the same lessons as we were getting into it…He went to Foreigner and I had bands in the L.A. “When Lou and I started working together we were kids,” Bruce states. Though they both write alone and with other co-writers, Turgon agrees that he and Gramm have a good songwriting partnership. “We’re very open to exploring different music ideas. “Bruce and I sit down to write and the ideas can come from anyplace,” Gramm says as the two relax backstage before a Nashville concert. Turgon co-wrote four cuts on Long Hard Look. Over the years the two have remained songwriting partners. He turned Mick down at first, but the rest of the guys in Black Sheep encourage him to give it a try.Īlthough Black Sheep never achieved superstar status one of the most positive things to come out of the experience has been Gramm’s continuing collaboration with bassist Bruce Turgon. He was still trying to make things happen with Black Sheep when Mick Jones approached him about joining Foreigner. ![]() The group opened for KISS on tour and released two albums, but things never quite worked out with the group as Gramm had hoped. As he matured he realized he didn’t want to be playing cover tunes in a top forty band and by 1970 he formed the group Black Sheep. Like all aspiring teenage rockers, he played in a succession of bands, honing his musical skills and developing as a songwriter. Lou started playing drums at eight and wrote his first song at 13. In addition to his parents musical influence, Gramm grew up listening to the Ventures and Duane Eddy, the Beatles and Motown’s legendary roster. His father was a trumpet player who had a big band in the 1940’s. ![]() Gramm’s musical journey began in his hometown of Rochester, N.Y.
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